In Rock Band, you pretend to be your favorite music group. In Rock Band VR, you pretend to be a cover band that doesn’t quite get the songs right.
Rock Band VR may be more of a fundamentally different experience than what you’d expect from a Rock Band game. Good virtual reality games don’t just tack VR onto an existing design. They are built specifically for VR, so to a point Harmonix Music Systems and Oculus Studios had no choice but to make Rock Band VR a fundamentally different experience.
A glorified port wouldn’t cut it.
While some of these necessary changes undercut the illusion of being a rock star, there are enough elements carried over from the main Rock Band games that fans of the franchise ought be satisfied with Rock Band VR and find a game that will become a core element of their Oculus Touch lineup.
Above: Bass player Maddy (left) and drummer Wes (right) hanging out in the band clubhouse.
What you’ll like
How to be a VR rock star
In the main Rock Band games, the camera is mostly set behind the audience, looking out at the stage. Rock Band VR flips the camera to the first-person perspective of a guitarist (you) looking out at the crowd and the venue.
Derek, Maddy, and Wes (the other three members of your band) are featured in brief backstage cutscenes where they argue about who wrecked the band’s van, what costumes they’re supposed to be wearing for a Halloween show, and whether or not to capture the goat that another band left behind. The story elements are short and endearing.
Once you hit the stage, you see how Rock Band differs in VR from its past incarnations. Rather than matching notes that scroll down a vertical track, you follow a horizontally scrolling “song map” that provides cues for playing chords, not notes. For the most part you play the chords free-form, earning points for repeating patterns of chords that you make up as you go along. You also earn points by following chord prompts that ensure you’re in the correct key and making the most appropriate sound for that part of the song.
Where the main Rock Band games are about precision, its VR cousin gives the player leeway in how to perform the chords. A two-fret chord requires you to hold down two side-by-side frets. Which frets doesn’t matter, which gives you four different fret positions you can use for a two-fret chord. A three-fret chord has three different positions you can use, and so on.
Focusing on chords versus notes is a smart accommodation for VR. In the main Rock Band games, you can glance down at the neck of your guitar and see where your fingers are positioned, which comes in handy if you need to move them quickly and aren’t good enough to do so purely by touch.
You obviously can’t see your fingers in Rock Band VR, and that might make it difficult for new players to be precise. A classic mode is included with Rock Band VR almost as though Harmonix and Oculus wanted to prove a point about why the changes to the traditional Rock Band formula were required in order to make for a satisfying VR experience. I only played a few songs in classic mode because it was so dissatisfying when presented in VR.
Above: You can change positions around the stage, in this case jamming next to Wes, the band’s drummer.
Rock Band VR uses motion to sell the illusion
Successful VR design also depends on how well players are allowed to project themselves into the virtual space. Having your hands tied to a guitar means no hand-tracking, and hand-tracking has become a quintessential element by which VR developers help fool the brain into believing the illusion. Harmonix and Oculus came up with some thematically appropriate techniques to take up the perceptual slack.
Overdrive is the bonus scoring ability in all Rock Band games. In the main games, Overdrive energy is earned by playing specific parts of a song correctly, and if you run into another section that provides Overdrive energy while you are already in Overdrive, the bonus scoring period is extended.
In Rock Band VR, Overdrive energy is earned by successfully repeating chord patterns, and you can extend the Overdrive period by banging or shaking your head, or rocking the guitar back and forth, or even picking the guitar up and holding it up to your face as if you’re playing the guitar with your teeth. All of these movements not only help you feel more like a rock star, they also give you opportunities to physically interact with the virtual space.
You can press the whammy bar on the guitar to teleport to a few different positions on the stage, including a position right in the face of the audience, which makes for a great place to stand during a guitar solo.
During a solo, motes of light fly off the guitar and through the audience. You can aim those motes by twisting the guitar around, and when members of the audience are hit with those motes they cheer more loudly and get more into the show. It’s another way to get you moving, and therefore further into the illusion. The problem is that a raucous guitar solo with a ton of expressive movement is likely to send the Oculus Touch controller on the end of the guitar flying across the room.
Above: The Oculus Touch Rock Band VR adapter adheres to the back of the headstock and then hypothetically supports the Oculus Touch. / Image Credit: Dennis Scimecca/GameBeat
What you won’t like
You can’t rock when your ax breaks
Oculus Touch ships with a Rock Band VR adapter that can only works with models of the familiar Stratocaster Rock Band controller that have three holes on the back of the headstock, which can accommodate the three pegs on the adapter.
The underside of the adapter is sticky but not quite adhesive, so you can remove and reattach the adapter. The pegs on the adapter are short and don’t click into place as much as they rest inside very shallow holes on the back of the headstock. You then slide the grip of one of the Oculus Touch controllers through the adapter. The Rift sensors track the position of the Touch controller, and the guitar you hold in Rock Band VR is matched perfectly with the Stratocaster controller you are holding in the real world. It is an effective illusion.
The adapter’s adhesive isn’t powerful enough to hold it in place if you’re moving the guitar around quickly during a solo. In some cases the Touch controller flew right out of the adapter when I was in the middle of rocking a solo. Other times the Touch controller became loose and starting sliding down the neck of the guitar. I began pressing down on the adapter several times during songs out of paranoia that the adapter would come loose.
Having to constantly worry about what’s going on back in the real world and whether or not your gear is going to break down while you’re trying to put on a virtual rock concert breaks the illusion that Rock Band VR is trying to maintain. I understand why Harmonix and Oculus wouldn’t want players and especially long-time Rock Band fans to have to buy yet another Stratocaster controller, this time designed specifically for Rock Band VR, with a proper adapter that can hold the Touch controller in place.
It’s easy to imagine the VR fan that has spent thousands of dollars on a PC that can run VR smoothly and on the gear itself willing to spend a little more money to get a Stratocaster designed specifically for Rock Band VR in order to make sure they can lose themselves entirely in the illusion, with no concern about their game peripherals.
You’re a cover band, not a rock band
The downside of playing chords instead of notes is that this makes perfect replication of songs all but impossible. In the traditional Rock Band games perfect performance means perfect replication either of the original song or a cover version produced by Harmonix. In Rock Band VR you’re making up chords that don’t exist in the original track. Even a perfect performance in Rock Band VR doesn’t sound right if you know the song well.
If you play the Rock Band games because you enjoy feeling as if you’re actually the rock stars you’re mimicking, your relationship to Rock Band VR might be the inverse of your relationship with the traditional games. I had much more fun playing songs that I didn’t know, because if the chord patterns were dissonant with the song it didn’t bother me so much. When I knew a song, the experience was less satisfying.
You always play as part of a cover band in a Rock Band game, but in the main games you’re part of a really good cover band that knows how to mimic the songs they’re playing. In Rock Band VR, you sound like a cover band that sounds like a cover band, which isn’t nearly as satisfying unless you’re enamored enough with the VR technology and experience to not care what the song sounds like as long as you’re having fun.